Details

14 March 2016

After utilizing high-maintenance short throw projectors and televisions, Precision Planting engaged AV partner AVSC to improve the visual impact of the mobile display. PixelFLEX was chosen to create a dynamic and mobile visual environment.

"We thought this would be the best solution for our trailer moving forward, because we had seen it in action, we had seen the clarity and the definition, and we felt like it would be the best bang for our buck," said Precision Planting marketing manager Sean Arians.

The lightweight LED tiles save time and money in conjunction with the video trailer's full

Details

14 March 2016

The highly-acclaimed production of George Bernard Shaw's play, which stars BAFTA award-winner Ralph Fiennes in the lead role of Jack Tanner, is directed by Simon Godwin, with a video design by Luke Halls.

The production uses over 1800 modules of XL Video's Barco MiTrix LED to form digital scenery - upstage and for both side walls of the set.

The semi-transparent MiTrix LED is masked with a linear plastic which diffuses the light and enables the screens to be used for a diverse range of scenic elements throughout the show - including solid colours for interior walls, to reflect the colours of heaven and hell and to create blue skies and natural landscapes for the

Details

14 March 2016

By winning The Theatre Skills Award from amongst a very strong short list, Geoff was honoured in recognition of the debt the technical theatre sector owes to him as a theatre practitioner and trainer. Through his personal conviction and resolve Geoff has established a relevant, accessible and vocational training provision for young people wishing to commence careers in technical theatre.

A facilitator and training programme leader for the ABTT, the introductory training courses Geoff has devised distil a suite of vocational skills, to provide the essential grounding that ensures a new entrant to technical theatre will be safe

Details

14 March 2016

Every CTA 208 ordered from the beginning of 2015 onwards features curvature options of 0°, 3° 6° and 9°, giving far more flexibility to the end user. Previous CTA 208s feature only 0° and 9° options.

The special new rigging system facilitates deployment in both long-throw and near-field applications. When users opt for the 0° setting, the individual mid/high units are not articulated; instead they form a stable and remarkably coherent wave. This maximizes frequency bundling effects, thereby maximizing range.

The improved rigging system, which allows the tops to also be tilted at 9°, 6° and 3° angles, enables ConTour Array to deliver optimum sound dispersion over the entire audience area, whatever the size of the venue, says the compa

Details

14 March 2016

"This is another strategic step in Peerless-AV's growth plan for EMEA. We are seeing rising demand for our mounts and Emerging Technology solutions from the region and the time is right for us to invest in high quality and efficient local support for customers in the region," said Adam Dent, director of international sales, Peerless-AV Europe.

The Jebel Ali location was chosen for its reputation as the pre-eminent logistics hub for the region and beyond. The warehouse will be managed by DTK, who have a 20 year history in servicing the technology market across the region. Shared with other vendors, the facility already has a wide range of Peerless-A

Details

14 March 2016

"This dynamic beam, wash and effect fixture has a host of features and we can't wait to exceed all expectations when we use them at our next show," commented Estelle Galloway from Sound Stylists. "We were pleasantly surprised by the smooth and even wash, in any of its 13 colours, created by the miniPointe's variable frost filter. The possibilities are endless with the new Mini Pointe and its output is far greater than one would expect from such a tiny light. Weighing only 13 kg, it proves that dynamite truly comes in small packages."

DWR sales team, Schalk Botha and Nicolet Britz, agree. "The Robe miniPointe is small, compact and creates brilliant air or beam effects," commented Sch

Details

14 March 2016

Production manager Winfried Blank made the decision in early 2014 to put DirectOut Andiamo 2.XT AES/MADI AD/DA converters on the tour. He asked for extended routing functionality to be included in the software for even greater flexibility. "We are working with digital audio signals from the source to the output," he said. "Our periphery is MADI and my idea was to travel via fibre from a couple of RME MADIface XTs to DirectOut's Andiamo 2.XT and from there via AES3 to the d&b amplifiers.

"The DirectOut Andiamo 2 series already supported MADI port r

Details

14 March 2016

Montreal-based Karl Gaudreau of 4U2C was the visual/lighting designer for Igloofest 2015 creating the set, video and lighting for the music experience. Solotech in Montreal provided the equipment.

"I started working with Igloofest last year," says Gaudreau. "A massive igloo remains for the four weeks of the festival, and the equipment is outside for that time in very low temperatures. We needed to be very careful about what we did and how we hung the rig."

DJs and bands playing on two stages attracted approximately 10,000 people

Details

14 March 2016

Situated within a shopping mall, the venue is the brainchild of Belgian-born managing director Luc Vandecasteele, who wanted to create an outdoor performance area that could predominantly host classical and jazz concerts.

L-Acoustics reseller for Botswana, Keyman Ventures, was employed to source technical equipment for the venue and called in Gauteng, South Africa-based L-Acoustics certified provider Sound Harmonics to take part in a three-system shoot out.

"Luc's vision was for the venue to be a cultural centre," explains Sound Harmonics' R

Details

14 March 2016

When Usher was confirmed for the gig, Dallas-based lighting and show designer Eric Wade of FOHShow, who has worked with the artist for 15 years, was asked to develop a production design for this special collaboration, and specified 162 of Robe's LEDBeam 100s and 50 x LEDWash 1200s as part of his lighting rig.

Wade also knows Blake Shelton's production team, and with Shelton not currently touring, they were happy for him to co-ordinate all the relevant visual requirements for both multi-award winning stars for this epic performance.

"My biggest challenge was

Details

14 March 2016

To enter, young LDs must design and programme a DMX lightshow using M-PC to a music track of their choice and submit a video recording to the Martin Professional Facebook contest page. Contestants can share the video to their own social networks and throughout the contest friends, colleagues, and other Facebook users can vote for their favourite shows.

When the contest ends, the three shows with the most votes enter the final stage of the cont

Details

14 March 2016

OxLinx cables offer a considerably more elegant and cost-effective solution for long HDMI cable runs than Cat 5E cable with converter box systems.

They are intended for commercial AV installations and broadcast where longer cable run lengths than those obtainable with standard copper HDMI cables are required. Applications may include professional AV systems interconnection, digital signage (DOOH) and kiosks, plus home theatre systems in larger properties.

EMI and RFI immunity also makes them useful where the cable needs to pass through environments with high electrical interference.

OxLinx cables are HDMI 1.3 compliant and compatible with video resolutions up to and including 1080p full HD deep colour 48bit, 3D and multi-channel embedded audio to include PCM 8 channe

Details

14 March 2016

"I ran the lightshow for about 10 straight hours from before 11 until after 8 in the morning for this party," said Lazer. "Anytime you're on for that length of time, you're going to lean on everything a fixture has to offer. I made great use of the Rogue's ability to give me different gobo looks, tightly collimated beams and split colorus. We kept the show fresh looking the whole time."

By working well past the wee hours of the morning, Lazer was upholding a tradition that

Details

14 March 2016

Hue, saturation and intensity of each LED are individually controllable while LED group control allows for even further design possibilities. A selection of variable dimming curves is provided for faster programming and a selection of strobe and chase effects add to their versatility. All fixtures in the Colour Chorus Series are built with rugged die-cast aluminum exteriors and operate f

Details

14 March 2016

The open week will take place during 23-27 March. This is a free, drop-in event to both existing clients and new companies looking to find out how Electrosonic's service and installation teams can support their audio-visual and communications technology and systems.

The new Aberdeen office will serve the corporate, oil & gas and entertainment markets in and around Aberdeen. It has full workshop facilities, storage and a fabrication space. Services offered include systems integration, and support services such as

Details

14 March 2016

A new development is the installation of a new DigitalMedia control system from Crestron, to deliver seamless support for all demonstrations. Catering for all trade needs, the space features five individual zones, displaying an impressive selection of solutions - and is currently the only place in the UK for the industry to compare such technologies in an independent environment, says the company.

Stuart Holmes of PSCo explains, "This destination will give visitors a true insight into the breadth of technologies on offer. The five zones within the centre give our clients a clear understanding of the whole range of products and support services we offer to our cha

Details

14 March 2016

And although the sets remain largely the same, in September she started to adopt GLP's compact impression X4 S LED fixture for the subtle nuances that were required from show to show.

She explains, "I was looking for a fixture with a very small footprint, but which was still sufficiently versatile to add to my rig for guest bands. I also wanted to use the flexibility of the fixture as eye candy on the deck during a musical segment or to light a wall in a comedy sketch."

She had mentioned this to Drew DeCorleto [director of lighting production at New York rental / production company WorldStage Inc], and he arranged a d

Details

14 March 2016

However, its sound system had aged to the point where it was no longer meeting the expectations of its increasingly technology-savvy congregation. Aside from its poor directional control and inability to deliver sufficiently intelligible speech, the inflexibility of the system infrastructure was restricting the new clergy's creative development and exploration of new formats for services and events.

Thus the time was right to improve the usability of the synagogue's sanctuary spaces and provide the congregation with effortless listening conditions.

Rabbi Gersh Lazarow's vision for a modern, flexible worship space in combination with the strong musical as

Details

14 March 2016

Peumans designed an 'in the round' set, allowing the band to interact with the 21,000 fans that filled the venue to capacity each night. The stage was therefore centrally located, hence the show's name Clouseau Central, with four runways so that charismatic frontman Koen Wauters could get close to fans all over the arena floor. The B-EYEs, supplied by PRG Belgium, were rigged around the arena on the lowest balcony level, or first 'ring'.

"From a practical point of view, I lit the show as if it were a stadium, with several levels of lighting that could work independently or combined with one another,&q

Details

14 March 2016

Based on a new operating platform from Roland, the O.H.R.C.A M-5000 provides more adaptability to individual workflow than any previous option. The platform, known as O.H.R.C.A, stands for three key concepts: Open; High Resolution; and Configurable Architecture. This combination adapts to

The basis of O.H.R.C.A is that the internal architecture is not fixed to any configuration and can therefore be freely defined within a range of up to 128 input or out