The main system comprised two JBL SRX 4702 mid/top loudspeakers, two JBL SRX 4718 subs and a C-Audio Pulse amplifier rack, with a further four EV Sx300 loudspeakers as room fills. DJ Control was courtesy of two SL1210 turntables MkIII, an Allen & Heath mixer, a Denon 1800 CD player and a JB
Despite the fact that many venues offered house sound and lighting systems, Steve Adj, John Squire's co-manager, and tour manager Martin Herbert, persuaded fellow manager Simon Moran to increase the budget, so that a consistent level of production could be ensured by means of a touring package. Entec won the contract and supplied Herbert with equipment and crew. The latter even included some Stone Roses stalwarts like Grub and Mouse from caterers Cat'n'Mouse, Stardes trucking and the unflappable Trapper as stage manager an
The event attracted a broad cross-section of industry professionals. It's main objectives were to launch the new Version 4 software (available soon) for the RADlite visual manipulation system, also to highlight the new gobo manufacturing facilities offered following Projected Image's recent expansion and takeover of a second unit at Three Mills. There was lots of interest in the new gobo manufacturing laboratory, and guests were treated to a guided tour and a run-through of the precise science of gobo making. Projected Image also offered a sneak preview of the new Beacon Choice gobo catalogue, with Micke Tannemeyr, CEO and marketing director of the Swedish-based B
The final scheme involved 131 Par cans (dichroic filters fitted to those in inaccessible places), 22 Source Four profiles, 34 exterior birdies, 11 400W HQI floods, a pair of Studio Due City Colors and over 220m of rope light. The existing street lighting was gelled to reduce brightness, and the whole supplied by one 300A 3-phase mains supply with dimmers dotted around the rooftops!
To supply and implement the audio infrastructure, MKG's managing director, John Northcote, has again enlisted Shepperton Studios-based Marquee Audio, who first worked with the company on the conversion of Birmingham's Hummingbird to the Academy in Britain's second city two and a half years ago. The 2,500-capacity venue in Glasgow - purchased from Edinburgh-based development company EDI - will operate in three formats: as a full concert venue, a short hall arrangement and a full-on night club.
Marquee project managers, Spencer Brooks and Scott
Following his successful North American tour, McCartney toured Mexico City and Japan for concerts in November. His 2003 European tour kicks off in France at the end of March, after which it proceed
The new operation, based in Burbank, will design and manufacture network-enabled media products and systems for the delivery of rich media content to the control and presentation markets.
Some of the first offerings from MediaSonic include control systems and storage devices only previously available exclusively in Electrosonic systems and installations, including the ESCAN Control Area Network for Media Control and Management, FrEND Far End Network Device, The MediaSonic MPEG-based HD Player and MediaSonic HD Decoder card which decodes all 18 ATSC formats and custom formats.
MediaSonic is also establishing OEM relationships based on the technologies of these products and other Electrosonic products and designs.
Jim Bowie, previously the general manager of Electrosonic in Burbank, has
The order is a reflection of SSE's close involvement with the Nexo GEO Technology project, from the conceptualisation of the first tangent array devices, the GEO S Series launched in 2001, to the realisation of the GEO T Series and, in particular, its remarkable flying system, designed by Chris Beale, SSE's Group hire director. SSE has been field-testing GEO T full-range and sub-bass units since the summer of 2002, with the complete system fulfilling its potential most recently at the larger venues on Tori Amos' European tour. At Le Zenith in Paris, before a 7000-strong crowd, the SSE/Melpomen team flew single arrays of 17 T4805s on each side of the stage, with four CD18 sub-bass uni
Robert Juliat USA will operate out of premises in Wallingford, Connecticut, putting it in close proximity to the New York and, thus the Broadway, markets. At its disposal will be a 1900sq.ft facility, including offices, warehousing and a small showroom.
Fred Lindauer, formerly director of operations with SSP International - the company which previously handled distribution of the French brand - will run the operation, developing and reinforcing the existing dealer network for Juliat products.
Initially, the new company will act as a sales and service operation, and will carry the full Juliat catalogue of followspots, discharge profiles, tungsten profiles, stands and spare parts, but
Unaware of the risk of connecting flesh with dry ice, some unfortunates in Birmingham willingly signed up for the competition, resulting in four of the hapless souls losing skin, fat and muscle and being treated in hospital for severe frostbite. BRMB admitted breaching health and safety laws during a recent hearing at Birmingham Magistrates' Court.
The dry ice stunt is not the first time BRMB has been in the headlines because of its controversial competition stance. Four years ago, the station created a 'bl
The FAS is a grant scheme redeemable against Zero 88 products, and is available to schools and amateur dramatics groups. Twice a year, the company will be offering Awards, enabling UK organizations to claim 50% of the cost of their new lighting control equipment. The Award has been divided into three areas - Infant/Primary/ Junior schools; amateur dramatics organizations; Secondary schools and colleges.
"Schools and amateur organizations are always looking for grant schemes to apply for, as government and school funding for performing arts is often inadequate," comments Zero's Scheme creator, Grant Bales-Smith. "There are existing grant providers, but very few specific to our industry. We hope our scheme wil
The museum charts the development of technology and how its progress dramatically influenced the development of theatre, particularly during the last century. Visitors are taken on a tour which begins in the Renaissance and ends in contemporary times, presenting the different methods used to light the stage. The museum contains authentic artefacts from the
(Lee Baldock)
Audio hardware for the event (and lighting) was supplied by top UK rental company Adlib Audio from Liverpool, a major JBL Vertec, Powersoft and dbx user. Over 85 people - representing all areas of the pro audio rental, installation and sales markets, and also including Arbiter dealers and agents - attended on both days, jumping at the chance to experience the latest sound technology in situ. Presenters included David Scheirman and Andrew Rutkin from JBL Professional in Northridge, California, and Geoff Lissaman from dbx Pro in Salt Lake City. Max Lindsay-Johnson, David Budge, David Karlsen and Dan Eades formed the Arbiter side of the presentat
Sound design for the UK national tour of Cats is by Terry Jardine and Simon Baker, with Greg Pink as production sound engineer. The tour is scheduled to run for the next few years visiting Manchester, Wolverhampton, Sunderland, Edinburgh and Belfast. Jardine, Autograph's managing director, commented on the choice of the R-Type for this project: "We are pleased to add the R-Type to our expansive Cadac inventory, we needed a desk with a smaller footprint, bu
General manager Simon Wood comments: "The difficulty has been that our services and hire stock have expanded so massively and we have struggled to keep all our customers up-to-date with the changes. The new structure, with direct access phone numbers and named team members, whose contact details will be posted on the website, should ensure that customers get the support and advice they need from the right person for them." The new website will be updated monthly with news and photogra
With space at a premium, the E6 provided the perfect solution - in terms of both aesthetic and operability. The Kashmir Klub has a long relationship with Soundcraft products and Moore is delighted with the company's continuing involvement via their new showpiece Spirit products: "This event produced two logistical challenges. We needed to be able to specify the right, high quality equipment to fulfil
The impact of Mark's injuries suggest that he will be in a wheelchair for the rest of his life. A fund has been set up to help Mark and his family. If anyone would like to contribute, contact Clare Scherer on +44 01243 537052 or send any donations to Clare at 72 St Paul's Road, Chichester
To date, CALM Expo has opened inroads for many international manufacturers and local companies to network and build businesses in the rising Chinese market. With the accession of China into WTO, the positive cultural directions revealed in the recent 16th Chinese Communist Party Congress and the prevailing reforms in China's performing arts and entertainment scene, such upbeat market forces inevitably increase the awareness of cultural developments across China and sound out immense business opportunities for the industry.
Recognizing the importance of industry advancements across
Theatre production manager Seamus Shea said: "We aimed to get a lantern from each decade of the twentieth century. While there are lots of manufacturers of modern theatre lighting, there's sadly been very little in the way of evolutionary changes. We asked ETC to donate the Source Four because it's the one device that's revolutionized the way theatres work."
The Gaiety
The launch was also the first outing for Summit's new rack-mounted 6-way hoist controllers. Constructed by Ibex to Summit's specification, they are fully compliant with all safety standards including Category 4 E-stop. The project was managed for Summit by Chris Walker, who worked with a team of 1
Designer Bruce French used the central mezzanine walkway to advantage by designing identical stage sets on either side. Stage one's challenge was to turn the concept into reality. The back wall of each set comprised a three-level steel structure, each level having a series of cubicles. The bottom level was used as a series of entrances for dancers and other support artists, the second level cubicles had
(Ruth Rossington)
