"Our company mantra is about ensuring that our customers benefit from total support from our team to complement the quality MA Lighting and Clay Paky products we exclusively represent in the UK', states Glyn O'Donoghue, managing director.
"The appointment of Caz and Doug reflects this by committing the right people to the right jobs, and utilising their superior industry experience. This begins at the point
The block-long display at the home of Fred Loya, has become a holiday tradition in the west Texas town, with over 4,000 people gathering each weekend during the month of December to enjoy the lights of the massive Christmas show as they flash, chase and change colours in synchronisation to popular songs of the season.
This year's display is bigger and better than ever, featuring 12 Platinum Beam 5Rs, an extreme ACL beam effect powered by the new Philips MSD Platinum 5R lamp that blasts out the tight, narrow focus and ultra-brightness of a clas
The Pepsi Max Halftime Show was performed by the Vancouver-based rock band Nickleback, playing songs off their albums All The Right Reasons, Dark Horse, and Here and Now. The halftime show was produced by Patrick Roberge of Patrick Roberge Productions, alongside production designer Robert Sondergaard and TV lighting director Jason McKinnon of Electric Aura. System engineer was Jason Bolger and production electricians were Charles Arrata, Corey Proulx, an
It's the fourth JB tour that Adlib has supplied. Having the resources and flexibility to offer all the technical elements in a single source operation enabled a very cost-efficient package to be tailored to the client for the successful six weeks of sold out shows around the UK.
FOH engineer Walter Jaquiss once again specified a Coda Audio LA12 system, following its performance on the last tour. Systems tech Kenny Perrin explains that their standard configuration was 12 x LA12 cabinets per-side with a variable amount of LA8 down-fills.
For subs, they used two sensor controlled Coda SCPs per side for the standard set up, boosted to four columns of two SCPs along the front of the stage for the arenas. The in-fills were normally four LA8 speakers.
Lighting designer and managing director of TSL, Sam Tamplin, chose to use the Philips Selecon range of conventional luminaires to deliver a festive atmosphere to this historic setting.
Viewed by many as the most romantic and beautiful backdrop for an ice rink in the country, Brighton Pavilion is evocatively lit with 'arctic' blues and deep 'ice' greens complemented by tinges of 'sunset' lilac and pink. In contrast, the 'après ice bar's comfortable leather Chesterfields and rustic seating arrangements are lit in 'candle- light' open white and 'fire ember' reds and ambers.
Tamplin is using a combination of Rama and Acclaim luminaires to create the intimate
It's the fifth year that dbn has supplied lighting, visuals equipment and design services to WHP, which operates every Friday and Saturday night from the start of the new university terms in late September to New Years Day, and this year, it is being managed for dbn by Chris Phillips.
Three trusses are installed over the stage in the main room to facilitate lighting positions, together with four more trusses over the audience/dancefloor. The space is arched with a decent nearly 7m height in the centre, dropping to around 5m at the edges, so the trusses are placed to maximise and accentuate the shape of the room.
The eve
Carson has worked for Chase & Status for the last two years. The band shares the same management team as Pendulum, another artist to whom HSL provides lighting.
However, this is the first time Carson has used HSL to supply both lighting and video - a process likely to happen increasing frequently following a recent major investment in Martin EC10 and EC20 LED screen product. "It makes things very straightforward dealing with one source for all these elements," says Carson.
The Chase & Status project was managed for HSL by Mike Oates, who says: "We always enjoy working with Neil. He has great imagination and flare and the Chase & S
Gray is known as one of the most innovative 'new generation' UK visual designers whose work is intelligent and original. On this he collaborated closely on the stage look with the band's creative director Aitor Throup, who also designs the stage clothes through to the merchandise on sale, ensuring a creative - but flexible - coherence.
The stage design is highly architectural. Upstage is a massive ellipsoidal shaped LED dome, which is made up of nearly 100sq.m of BT-12, a 12mm LED screen product which has been custom manufactured for suppliers Colour Sound Experiment.
In front of this is an impressi
The 'Open-House' will be on Tuesday 20 December from 2-8pm and Glyn, Philip, Chris, David, Caz and Doug would like to welcome you for a glass or two, a mince pie and some festive banter with industry colleagues. Come and meet the new team and see their fabulous new facilities. The Ambersphere team also hints there may be a few exciting new products to tell visitors about . . .
Ambersphere Solutions is located in Park Royal, the heart of West London's lighting industry hub, a stone's throw from the LH2 Production and Rehearsal facility, just off the A40, and close by the public transport links of Acton and Ealing Broadway. There is parking
Clay Paky's announcement of the news said: "It is with great sadness we announce the passing of Enrico Caironi, a man whose professionalism, integrity and humanity will be remembered by all Clay Paky work associates and friends in the industry. In the show-lighting industry, Enrico had for years been ambassador of Clay Paky and a model representative of Italian passion and quality.
"Born in Bergamo in 1947, Enrico Caironi joined the Clay Paky team in 1995. As commercial director, he immediately became a key figure in company business, always fighting at the forefront with relentless motivation
There are seven performance spaces at the centre, seating up to 1,704 people. The first Paradigm system controls the main concert hall; a second controls three of the rehearsal halls (Rehearsal Hall, Organo and Camerata); and a third controls the Sonore, Black Box and restaurant stage halls. All were supplied, installed and programmed by Studiotec Oy of Finland.
Project manager for Studiotec, Oskar Krogell explains: "Paradigm was chosen by the music centre for its integration with lighting control desks, dimmers and DMX. They also wanted non-technical personnel - including orchestra organisers, stage managers and even music students - to be able to use the show lighting in the halls for rehearsals and concerts. The Music Centre has seven stages
"With both a theatrical and corporate background Richard brings a wealth of experience to the role," says Stuart Crane, White Light's head of production.
"In addition to project managing the usual mix of events that White Light currently supplies he will also be available to support our existing corporate lighting designer clients, helping to ensure that we deliver the highest standards of pre-production on their larger or more complex projects."
(Jim Evans)
Specified and installed by Lights Incredible, based in Kansas City, Mo., the flicker-free fixtures are part of a special episode called Make a Wish Bride.
Specified for their on-camera suitability as well as their compact size and low profile, SlimPAR Pro Tri fixtures added flexibility and precise colour temperature to the setting.
"They're sturdy, take up no room and look fantastic," Carol Rosenstein of Lights Incredible said. "We placed [the fixtures] around the perimeter of the room uplighting each of the fabric panels as well as around the back. They gave the ceiling a colorful glow throughout the reception and their output got more intense as the sun went down. The view from outside was beautiful."
(Jim Evans)
McRobb - who has worked for superstar rocker Adams for the last five years - has used some Robe fixtures on rigs in the past, but has not actually integrated any into his designs until now. He was shown the MMXs when initially discussing the tour with Siyan's Nick Valdez, who had just taken delivery of some of Robe's newest technology. McRobb liked what he saw and decided to spec twelve MMXs onto the tour.
As a photographer of some repute, Adams takes a keen interest in lighting and therefore also his stage lighting. "He has multiple ideas and knows exactly what he wants," explains McRobb, adding that Adams also
"One of Christie's advantages is its wide selection of 3LCD models in the 4000 lumens range and above," notes Frank Anzures, senior product manager, business products. "Customers needing mid- to high-brightness options know that they can come to Christie and find what they need to meet their application and budget requirements. And, with innovations like Christie's 4DColor technology, their displays can be created with vivid, dynamic colours that go beyond standard 3LCD projectors."
When bold, detailed images are required for presentations, the Christie LX400 (XGA) an
Stocking the full range of GDS products Hawthorn is now able to fulfil most orders for next day delivery and also has large stocks of regular and high powered up lighters as well as the new Satellites available for hire.
With a notable increase in the hire of the LiteWare battery up lighters, Hawthorn's hire manager, Dave Slater commented, "Being one of the key GDS dealers gives us a fantastic opportunity to build on our commitment to the GDS product range, which has proved to be very popular with our customers.
"From the LiteWare products which we've had in rental stock since their initial release, through to the Blues System, used extensively by our installs teams with the Arch system, and their new LED houselights, the whole range gives us an important a
The lighting needed to be sufficiently versatile to cater for an entertainment programme ranging from comedy to burlesque, contortionists and acrobats to high-octane dance within a multi-role venue targeted at a slightly older age demographic. At the same time guests needed to feel they were interacting within a TV reality-type set.
"I think this was one of the reasons Steve [Thomas]contacted us," noted Kirby. "We have worked extensively in TV studio lighting, and it's programmes like X-Factor that audiences these days are used to seeing. SGM heads are perfect because they are quiet running, fully featured and produce beams of saturated colour."
Leading the charge are 10 new SGM X-5 white LED strobes - a revolutionary break from the traditional
The 879-seat venue's stock of aging profiles needed to be replaced so, knowing the Robert Juliat reputation for optical excellence, Joost van den Hil, lighting specialist for the Main Auditorium, organised a shootout and approached LightCo's Bas van Schelven who took along the RJ 614SX 1kW fixtures.
In addition to meeting the all-important optical criteria, the Robert Juliat profiles also excelled with their build quality and mechanical superiority: "The mechanics are solid, the shutters stay straight, even after long term use, and the shutter lock work
The high point of the evening's festivities was the Flash & Flow laser show put on by tarm Showlaser, in collaboration with the Extra Energy dance ensemble, under the artistic direction of Wolfram Lenssen.
The team presented an audio-visual interpretation of the evening's theme, illustrating the motivation and history of the Wolkenschieber initiative in a series of scenes involving varied moods and dark clouds that finally disappeared and were replaced by the sun.
The Wolkenschieber initiative was founded by Joke Event AG in 2007 and supports local charitable organizations and as
Nearly 250 existing and prospective clients attended the two-day open house, which took place in a section of the warehouse set up to replicate a theatre.
"Back by popular demand, we set up a 'black box theatre' demo area to achieve an actual production space within our working warehouse," said Cassidi Cain of Gemini. This allowed customers to see some of the company's newer lighting and video products in action as they would app
"We gave the units a gentle run on Later, where they performed very well." Rigby comments. "The most striking thing about them, to my eyes, was the bright and vibrant colours they offered. They were more than bright enough for High Definition studio cameras. We liked the iris feature, which makes the Coemar unit more versatile than others in its class, and obviously we liked the gobo selection, which makes the fixture a lot less one dimensional. In short, we liked them."
The Infinity ACL is Coemar's moving-light re-invention of the classic, intense ACL beam effect. It offers CMY+CTO colour mixing plus a five-slot colour wheel that
"In the past, my boss and I had been talking about LED technology and all the benefits we would get by using it in the theatre," began Powell. "So when the University established a pool of money that was to be used for sustainability, we jumped at the opportunity to put together a proposal, and contacted our longtime friends at Vincent Lighting Systems to get the project going."
"Vincent Lighting is very proud to have been involved with NKU for a number of years," added Hayward. "We first beca
"Having worked in the industry as a designer and technician, I am familiar with the complete product line and I have always been a fan of the Vari*Lite colour," began Jibson. "I mostly default to Vari*Lite fixtures on my projects because of their optical clarity and color systems, but on this tour I chose them for a few other reasons as well.
&q
The Nobel Peace Prize is one of the most prestigious awards in the world. Every year, the ceremony takes place on 10 December, the anniversary of Alfred Nobel's death, and is followed by the Nobel Peace Prize Concert the day after. Featuring an international selection of musical artists and celebrity hosts, the concert honours the Nobel Peace Prize laureates.
The concert is held every year at the Oslo Spektrum Arena in the centre of Oslo. The customized three-tiered stage was able to host 50 singers and musicians a
