Despite its immense power, the SbA760 is notable for its compactness as well as its simple and intuitive handling. The enclosure, which is robust and designed to withstand rough use on the road, is kitted out with four rollers and a scratch-proof Futura coating.
(Lee Baldock)
There are 4 CD, 3 Line and 3 Phono inputs routed to the four heavy duty music input faders via input gain, and shared EQ controls for level matching. Channels 1 and 2 share a 3-band equalizer, as do channels 3 and 4, which is then routed to their respective ends of the on-board VCA crossfader.
The music channel 3-band EQ can be internally installer defeated to prevent any additional EQ being added by the DJ once the sound system has been set. The SM500 Ultima also offers the m
The FR-2 has been designed for flexibility and records industry-standard Broadcast Wav Files (BWF) to either PCMCIA 1.8" hard drives or Type II Compact Flash cards. The FR-2 incorporates many features that have resulted from Fostex's wide experience in digital location recording - such as a 10 second pre-record buffer, battery power, on-board limiter and phantom-powered, balanced mic inputs.
The file-per-take system developed on the industry acclaimed PD-6 and DV40 machines, is a welcome feature to a recorder within this price range. The FR-2 also features scene and auto take naming, which makes keep
(Lee Baldock)11 March 2004
Based in Barcelona, the Vieta group of companies has a turnover of 50 million. Group president Francisco Márquez was the founder of Gedelson, a well-known distributor of pro audio products in Spain, including Akai, Hafler and DPA Microphones. In 1997, Gedelson was merged with Vieta, Spain's leading company in the home electronics sector, to create Vieta Audio.
Now, Vieta Pro will debut at Frankfurt with a range of loudspeakers for the professional market. The company says it will launch its pr
Since RCF launched the original ART Line in 1996, the products have seen success in both the MI and fixed installation markets. But, say RCF, after listening to their global customer base it became clear that different cosmetic and hardware facilities were needed to satisfy both market sectors. The company's R&D listened to these comments and have answered the majority of the requests with ART II - the major features bein
"Our customers strongly indicated that they were in need of a cardioid headband that would have a comfortable and secure fit and would be able to handle that loud stage sound experienced in some live shows and television," says Craig Parrish, sales and marketing manager at DPA Microphones. "The DPA 4088 opens up new opportunities in the live performance market to us, and we are extremely excited to be working with a product which has been carefully designed to meet the requirements of this market."
The 4088 enjoyed its first two outings on native Dan
CSA is a method of increasing directivity at low frequencies without the need for very large arrays. The principle is the introduction of a second sound source at a defined distance behind the main source, which will cancel the sound energy radiated by it to the rear. Three, or multiples of three, subwoofers can be stacked with either the
There is also improved low-end performance with a newly tuned enclosure and special 12" woofer. The new 1" driver in the L.U.C.A.S 600 satellites provide more output and a very natural reproduction of the mid/high frequencies. The re-designed control panel is now accessible from the top with a separate bass control as well as limiter LEDs, in addition the system includes Neutrik Combo input jacks.
L.U.C.A.S 600 fits into the L.U.C.A.S family
Also available from Proel is the New monitor range from Alto, the company's PAM series of live sound monitors. It comprises the PAM5 passive live monitor and PAM5A active live monitor, there is also a 170.7/100V version, the PAM5T.
Equipped with twin five-inch extended range speakers, the passive PAM5 wi
Featuring 8/8 EtherSound I/Os and 8/8 analog I/Os, including four microphone preamps with phantom power, it is targeted at public address systems and logging applications, where it provides a unique link between audio data bases and real-time audio networks. Audio files may be played directly from a hard disk to the network, while simultaneously live sources may be archived to a computer-based logging system. Analog and network inputs may be mixed on the card and routed to analog or network outputs. The core of the system, the miXart 8, supports simultaneous recording and playback as well as
To achieve consistent coverage over the widest possible frequency range, the MF/HF driver assembly is coupled to a single horn, which occupies almost the entire front of the AX Series' enclosure. The EAW engineering team then incorporated their new Concentric Summation Array (CSA) technology, an advanced design based on their patented Radial Phase Plug, to solve the complex acoustic problems that generally prevent the coupli
Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft's 30 year anniversary and the new 4-band EQ with swept mid sections is based on the acclaimed EQ in the new MH3 and MH4 touring consoles. "The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic pre's we use on our biggest touring desk, whilst retaining the cost-sensitivity demanded at this point in the market," says Blyth. "We're cons
The subminiature cardioid element is enclosed in a rugged, low-profile housing with internal construction designed to minimize noise from handling, clothing, and wind. The microphone plugs into the included power module, which features battery/phantom power operation, switchable low-frequency roll-off switch, and an integral XLR3M connector supplying a low-impedance balanced outp
A further new development is the Subwoofer SW 215E as a prototype in the 'SP' version. A special characteristic of th
Ray Furze, one of the first sound engineers to test the desk at a live show, said: "I used the board on a one-off show with The Beautiful South and was sold on it straight away. I liked the new pre-amps and my first impression was that the EQ has a feel that reminded me of Neve EQ with a very polished top end and warm lows.
The CD range includes the CD-1500, CD-2000 and CD-3000, producing 900W, 1200W and 1800W respectively into 2 ohms stereo mode. Meanwhile, the four-channel CM 2204 and eight-channel CM 2208 are both designed to operate at 220W RMS regardless of impedance selected. Another feature of the CM Series is a circuit which lowers the line current required for any given output by as much as 50%. Other plusses are inputs and outputs featuring Phoenix connectors, with all level controls situated at the
(Sarah Rushton-Read)
Benefiting from the manufacturer's many years of experience in the modelling of acoustic sound sources, L-Acoustics' first three-dimensional sound design program is capable of operating in real-time. Designed with an intuitive graphical user interface, Soundvision allows for the calculation of sound pressure levels (SPL) and coverage mapping for complex sound system or venue configurations.
Room geometry and loudspeaker locations are defined in 3D and simplified operating modes permit the user to work in 2D to rapidly enter data. According to user preference, either horizontal (plan) or vertical (cut) vi
(Lee Ba
Stardraw CEO David Snipp explains why the company felt it important to launch a product for this market sector: "Stardraw A/V is undoubtedly the most popular off-the-shelf product we do, however, at $2,500 US, it represents a significant investment which may be beyond the reach of the smaller contractor. What we have done with Stardraw A/V Lite is to produce an entry-level package that allows you to create your designs to exactly the same standard as the full version. The drawing engine and the symbols in the Lite package are the same as those in the full package but the ancillary functionality is tailored for the smalle
In addition to Cascades recently being specified for the Royal Academy of Music's annual musical double bill, leading Manchester producing theatre company, the Royal Exchange Theatre, has used Cascades for two plays at the heart of a season which celebrates the work of British dramatist Robert Holman. The two plays, Rafts & Dreams and Across Oka, show ordinary people undertaking extraordinary and epic journeys in the world so both required a challenging array of lighting states to create the changing atmospheres throughout the plays.
Richard Owen, head of lighting at the theatre, chose the Cascades for the two plays in order to overcome a specific lightin
