Featuring six endless rotary encoders with push switch, 12 analogue pots, four linear faders, and 30 backlit performance switches with three-colour illumination, the Xone:K1 allows comprehensive mapping to leading DJ and production software, such as Traktor Pro, Ableton, Virtual DJ and MixVibes, offering a total of 52 assignable hardware controls, more than any controller of its type.
Powered
"Since the launch of Constellation, the system has revolutionized the acoustics in live performance venues. Our customers are adapting the system's capabilities for new applications like meeting rooms, recording studios, classrooms, and restaurants," says Antonio Zacarias, vice president of worldwide sales for Meyer Sound. "With Mac and Melody's wealth of experience, we're ready to help customers from all areas find the best solutions for their acoustic needs."
As Constellation programme manager, Johnson drives all aspects of the company's Constellation efforts, from lead development to design, sales, and commissioning of systems. J
Formed in the 1980s, Indochine are heroes in their home country, the first French band ever to play the Stade de France to a crowd of 80,000 back in 2010. That they have endured for so long and so successfully is testament to the drive and vision of Nicolas Sirkis, singer and leader of the band. That vision has led to one of their most elaborate stage shows to date, one that blends sound, light and video in ways not normally seen at a rock show.
The Black City Tour started in February 2013 and took Indochine across Europe and the rest of the world, culminating in two consecutive shows at the Stade de
The South West Group is a regular supplier of events services to the Glastonbury festival and employs 10 full-time staff members and over 100 trained technicians, managers and consultants. SWG's coverage of the event spectrum includes sound, lighting, power, audio-visual, production services and event support. The company prides itself on having all resources to hand and we deliver only the very best service to our clients, sometimes with incredibly challenging deadlines. This was one of those times.
Richard Howells, project manager at SWG, said: "The guys at VDC really helped us out this year in preparation for Glastonbury, turning around 150+ cables in only a coupl
Named 1000 Colours of REMA, the show required a system that could provide even in-the-round coverage at rock music levels with impeccable speech intelligibility. The solution designed by Bright Norway's Preben Frostad incorporated eight arrays of 11 Lyon linear line array loudspeakers each. To deliver powerful and even low-end coverage, the audio team specified a TM Array configuration, with four arrays of seven 1100-LFC low-frequency control elements suspended directly over the centre stage.
"The whole audio package was perfe
In a time where more and more wireless applications are used, but where less bandwidth is available for the pro-users in the audio industry, Axient offers a highly reliable solution for high profile events, allowing the user to set up a 100% redundant wireless connection, say AED.
"With Shure ULX-D we find ourselves in another market/price segment. The price-quality ratio is very good. What gives the opportunity to many users to use wireless microphones in a digital version. In the AED group, a total of nearly 100 channels ULX-D are available spread over three different frequency bands,"
Joining the Gold Circle ranks are audiologists Dr. Teresa Cannon of Staten Island Hearing and Balance, Staten Island, New York; and Dr. Matthew Bell of Pacific University in Hillsboro, Oregon.
Held at Sensaphonics headquarters in Chicago, the Gold Circle seminar is the only formal training system for audiologists on the in-ear monitoring from the musician's perspective. Instructors for the Gold Circle seminar include Sensaphonics founder and President, Dr. Santucci, and audio engineering consultant, Joe 'Sound Guy' Tessone. Topics include in-ear monitoring and hearing protection technology, concert sound system d
With limited power, Chauvet Colorado Par fixtures were chosen for their punchy colour from a small unit. Source 4 Lustrs were provided to illuminate the backdrop of the stage. Traditional festoon lighting was used to light the 360m2 marquee to give a rustic feel in line with the branding for the event.
With a varied mix of acts playing on stage, the sound needed to be flexible whilst taking into account the very strict sound levels on site. RCF (HD10A + Art905AS) powered speakers were provided for both the FOH PA as well as the on stage monitoring systems (HD10A). Various microphones and DIs were supplied to cater for both voice and instruments, with a Yamaha LS932 as the main mixing console
In his new position, Howell, who is based in Nashville, Tennessee, will work closely with prospective RedNet customers in conjunction with product specialist Ted White to continue to drive sales with Eastern U.S. dealers, contractors and reps. Howell's involvement will help RedNet continue its ongoing penetration as the standard for a networked audio solution for recording studios, higher education, television production, post-production, and live sound installations.
Prior to joining Focusrite, Kurt Howell was a Digidesign
Taking place on 31 July and attended by both LIPA co-founders Sir Paul McCartney and Mark Featherstone-Witty, Sennheiser CEO Dr Andreas Sennheiser and the company's president of global sales Paul Whiting were present to hand out awards to this year's crop of Sennheiser-sponsored students.
2011 Sennheiser Scholarship winner Tomos Pierce graduated from LIPA, having enjoyed the considerable benefit of Sennheiser's support, experience and financial help during his time at the Institute.
"The application process for the Sennheiser Scholarship is designed to ensure that we support an outstanding student, who will go on to great things in the profes
Though the event was headed by Brit Row project manager Lez Dwight, with Stefan Krista managing the inputs and cross-patch from scores of 12-way sub-snakes, Nahuel Gutierrez operated one SSL Live for the 75-member orchestra, generating group stems for FOH, monitors, BBC broadcast and 16 persona
This year's show, as always, showcased the latest in aviation and airborne defence technology alongside displays of period aircraft and aerial acrobatic prowess, to the usual mixture of aviation industry experts, defence procurement mandarins, and the aircraft-loving general public.
As far as audio systems were concerned, however, it was all change; after the last show in 2012, Show Hire - one of Europe's leading event communications companies - were appointed for the first time to install and manage the on-site PA and audio systems.
The Airshow site at Farnborough is very large, covering approximately 2000 acres. From a PA perspective, it comprises several different
Harting's RFID technology can be applied for improved asset management for entertainment rental/hire companies and for theatres which share equipment for touring shows. The Ha-VIS RFID system offers a high degree of flexibility to simplify the implementation of scalable solutions in different application sectors.
The system combines rugged, high-performance RFID readers with powerful data pre-processing to ensure high-speed data transmission and optimum dynamic network performance. An efficient software solution allows the scaling of RFID solutions from individual readers through to enterprise-wide solutions across different loca
Founded by Hartley Peavey in 1965, Peavey has multiple US factories throughout Mississippi and Alabama in addition to distribution facilities in the US, Europe and Asia.
The company's statement says: "While prices from China lowered the cost of the products in the marketplace, Peavey has continually examined its operating structure and made adjustments to compete with the lower cost structure of its competitors . . . The UK facility was originally set up as a manufacturing plant for large items to minimize international shipping expense
Since first being included in the Manchester 2002 Games, table tennis has invited fierce competition. Sharing the Scotstoun Arena with the competition's squash events, the table tennis matches took place in two 2,500 seat 'show courts', and a further eight match courts. The broadcast of these matches was in the hands of Arena Television, with Audio Guarantee Engineer David Harnett taking charge of the company's OB14 mobile - and its Lawo digital mixing and routing systems.
Harnett joined Arena TV around three years ago having previously worked on Lawo consoles, which he regards as 'very intuitive'. OB14, meanwhile, has come to sports broadcasting from use on Arena TV's music events.
The
St. Andrew's is the oldest cathedral in Australia - and one of the city's finest cathedral examples of Gothic Revival architecture - however such beautiful architecture comes at an acoustic cost with challenging reverberation times making clarity and evenness of coverage across the congregation a constant issue.
Having struggled with a sound system that failed to deliver clear speech intelligibility and live music reproduction, with the Royal appointment imminent, the church's decision to install a new system reached emergency status.
Ross
The works provided fresh life to the historic complex and provided the City with a state of the art venue that can accommodate a varied array of events from musical concerts and variety shows to business, community and social events.
The auditorium's beautiful Art Deco detailing has been lovingly restored, and is now accompanied sensitively by a new PA and communications system from The P.A. People. It was imperative that the historical and architectural values of the venue were as important as the necessity for a modern multi-function auditorium.
Cabling was run as the renovation team opened up the floors and roof spaces, building in infrastructure to serve modern needs without disturbing a classic look.
So as not to in
Technical installation was handled by Langdale Technical Consulting who have a long standing working relationship with VDC and the studio marked the 100th Control Room installation on their part, almost all of which have been complemented by Van Damme cable. Langdale's Bill Ward commented that since the introduction of Van Damme in 1987 they have been using the cable almost exclusively due to it unrivalled sonic excellence and proven long term durability.
The studio was wired throughout with Van Damme blue series studio grade cable and along with the Duality console the spec list included a huge 96 channel Pro Tools rig and a h
Terpstra, who has been working with Kyteman for the last five years, says he chose DPA Microphones for this project because he knew their mics were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA's distributor in the Netherlands.
"Our aim was to create a library of completely original Kyteman material," explains Terpstra. "There are approximately 18 musicians in the orchestra an
An organization that is important to Stephanie Hansen, vice president and general manager at Masque Sound, Road Recovery was founded in 1998 by music industry veterans Gene Bowen, a tour manager and recovering addict, and Jack Bookbinder, an artist manager who struggles with Type II diabetes, to help young people battle addiction and other adversities by harnessing the influence of entertainment industry professionals who have confronted similar crises and now wish to share their experience, knowledge and resources.
&qu
"Our goal has always been to offer customers cutting-edge audio solutions that are best suited to their project requirements," says Sascha Khelifa, managing director of Meyer Sound Germany. "This requires a team that brings substantial expertise across the entire installation project lifecycle. We're proud to welcome Markus to Meyer Sound."
Dehmer previously led the pro audio department of Mörfelden-Walldorf-based system integrator Landau Electronic, where he was responsible for Meyer Sound loudspeaker installations in locations such as City Casino Basel
Following a break from the pro audio scene, Hames is ready for this new challenge, commenting: "I have kept in touch with some old industry friends, following the news in the world of PA. I've even played keyboard with some of them! Now, I'm really looking forward to carrying out my new role, being in the thick of it once more, meeting new customers and becoming part of making their jobs happen. PLASA Focus in Leeds this year confirmed to me that this is where my heart is."
Managing director at LMC Audio, Paul Hinkly says: "We're delighted that Sean has returned to the industry and has chosen LMC Audio as his route to
The VIP meet-and-greet performances generally feature a three-song acoustic set for an audience of anywhere from 35 to 150 people. The band sets up four L1 systems for these performances, in a stereo configuration. The system serves as a house mix, left and right, as well as monitors for the band. To accomplish this, they place an L1 Model II system with single B2 bass module in the rear corners of the stage and to either side on the floor in front of
The Liverpool based company won two competitive tenders issued by Liverpool Vision and worked closely with creative design specialists Evoke who planned the various environments and event meeting spaces that were utilised throughout the Festival.
Adlib invested around £250,000 in new equipment to help provide a world class set up for the high profile event.
The scope of their work included helping to create The IFB's Trade and Investment Hub and nerve-centre inside the Merseytravel building on Mann Island, which featured its own programme of events.
Additionally, the second tender dealt with providing technical services and equipment for around 150 main events in the Festival that focussed on creatin
