Robe's ColorWash 1200E AT is a powerful moving head washlight, featuring CMY colour mixing, variable CTO, two colour wheels (each with six easily replaceable slots for colours and effects), a combined dimmer/shutter and many more features, including a zoom range of 10° - 87°, depending on the lens type used.
The electronic ballast enables features
The improvement to the full-colour glass gobo service follows on the heels of the price reduction to spot colour glass gobos announced earlier in the year as a result of new production processes, systems and suppliers. Diane Grant, managing director of DHA commented: "Although we are the biggest and most experienced go
Ideal for recording and broadcast applications requiring flexible headphone monitoring the EarDriver comprises two sets of Stereo inputs feeding two channels of headphone level outputs. Channels 1 and 2 are AutoLinked into Channels 3 and 4 unless other inputs are jacked into 3 and 4, allowing up to 4 separate headphone outputs, all with separate level control.
The EarDriver is housed in a heavy duty all-steel chassis finished in attractive matt textured powdercoat, with hardwearing epoxy screen printing and slip resistant rubber pads. Security features include Kensington-type computer lock slot and option
Gil Densham, president and CEO of Cast Software said: After discussing the strengths and weaknesses of WYSIWYG with many users from around the world, we realized that a common concern was the ability to create professional looking lighting plots. A new section named "New Plot" was added to WYSIWYG's Presentation mode. In this section, the "model" drafted in CAD mode is transposed into a schematic that users can easily manipulate to create a detailed lighting plot.
For the first time, users can edit fixture attribute layouts onscreen, plot vertical hang structures such as booms, and notate the lighting plot without affecting the
With mixing for 64 channels and input and output resources as follows: up to 48 local inputs (32 mic + 16 line) with an optional stage box giving up to 48 input on stage plus 16 mic/line local inputs. Also available is an LEM (Local External Mix box) giving up to 64 local mic inputs, 16 local line inputs - for busses / inserts, 16 local line outputs - for busses / inserts, up to 48 processed or non-processed analogue digital or Ethersound outputs, with the flexibility of movable I/O cards between local and distant (stage box) slots. There are 32 buses - freely assignable as main, aux, groups or matrix and two monitor buses.
Transmission and Software includes a new MC module
The following are the full details of who will be playing and when:
Sunday 12th September
10am - Margaret Dygas (Rescue Recordings)
11am - Gideon Jackson (Rescue Recordings)
12pm - Shlomo (shlo.co.uk) & DJ Nonames (Foreign Beggars)
1pm - Manipulate & Blood 1 (Surgical Cutz)
2pm - DJ Decoy
3pm - The Scratch Technician
4pm - BCEE (Rubik Records, BBC 1Xtra) & Lee Jackson (2turntables.co.uk)
5pm - Benny Lightyearz (Roc Records) & Koobs (Human Beatbox) & DJ Cor Blimey (Freight Corp/Zebra Traffic)
Monday 13th September
12pm Richard Grey (Rescue Recordings)
1pm Kleo (Rescue Recordings)
(Sarah Rushton-Read)
Also on show will be the I/O 5 and I/O 8 systems - ideal for the audio professionals looking for compact, high performance speakers for a wide variety of applications, including small clubs, karaoke, playback systems and monitoring. Both models are full range designs providing high power handling, high sensitivity, and wide dynamic capability.
The M12 stage monitor system is a compact, high style, no-compromise solution to the demands of high performance monitoring. At 10 ½" high, the Community M12 offers cl
Prolyte has built a reputation for high quality products and from this background, Prolyte has decided to use its insight in market demands and product expertise to redefine the concept of rigging. The outcome is a sturdy, road proof line of electrical chain hoists with user-friendly features. The range comes with various options and specifications and in addition there is an assortment of controllers is available.
A worldwide network of service points sells the Prolyft Performance hoist. Apart from a regular stock, the service points can provi
When asked about the choice of colour Fisher said "I wanted the Light Relief yellow to be a warm late afternoon sunny colour. So many yellows look harsh or acidic when used. Light Relief yellow should be a good bridge between the pale straw shades and the ambers we use all the time", Fisher continued, "I am thrilled to be working with this wonderful initiative of Rosco's to benefit Light Relief and bring
The electronic aiming previously available with DDC products, which can be thought of as aiming and focusing a light, allows users to aim the vertical beam onto the audience area from the acoustic centre of the array, say Duran Audio.
DDS users are offered the complete opposite; using Duran Audios DDA (Digital Directivity Analysis) software the user can define the array position and the audience area and allow the DDS algorithm to produce the best possible directivity for that array in the given location. The result is a complex dispersion pattern that "fits" the audience area, say Duran Audio. DDS
The DAP 26 is a new, high performance 2-in 6-out sound system controller with a multitude of configurations (2-way stereo, 3-way stereo, 6-way mono). It features variable signal routing output options for matrix and zone configurations. Any DAP 26 configuration can be operated in real time using the navigation pad or implementing the 'K.M.E. Control-Center' software. The accurate signal processing algorithms together with AKM AD/DA converters and a sampling frequency of 96kHz deliver acoustic precision of the highest standard. Further DAP 26 units are linkable using the AES/EBU conn
The TS46 has been manufactured to a high specification as laid down by Trantec's own engineering staff in London. It combines a discreet microphone with an ultra-light and comfortable headband. Designed for performing musicians and fitness professionals, it offers extra freedom as a hands-free microphone. Whilst providing excellent condenser sound quality, its hyper-cardioid polar response superbly counters interfering background noise to deliver a true and clean sound. It's super light and discreet design makes it both practical and versatile. Its moisture protected microphone capsule and gooseneck support
As well as the control products CM is be showing its new range of BGV-C1 approved Lodestars designed especially for computerized control, including the CM Pro-Commander line. A range of other more standard products is also available for ins
Alternatively Lee Filters can supply you with pre-cut rolls of your chosen colour along with the clear polycarbonate sleeves enabling you to assemble the inserts and sleeves yourself. The pre-cut rolls are 7.62m (25ft) long and are available for T5, T8 and T12 diameter sleeves.
Lee Filters has also announced its new range of Quic
But, says Artistic's Wayne Howell: "What do you do when the lighting console is still in the truck? Or when you need to address a light in the workshop? Or if you want to check the temperature sensor? That's where Jump-Start comes in - plug it into the DMX connector and moments later you have a display of all the important information: start address, footprint, personality, sensors, temperature, voltage, lamp hours to mention but a few. A couple of key presses are all it takes to edit the settings, you can even plug int
The Hyper Beam can create nine different colours plus white. An FX switch lets DJs choose from three different modes of operation: Sound-active prism rotation and continuous dichro dish rotation; sound-active prism rotation with dichro dish stationary; and sound-active prism rotation and sound-active dichro dish rotation. Each mode puts its own unique and exciting twist on the Hyper Beam's hyperactive performance.
"The Hyper Beam is a great example of American DJ's commitment to keep coming out with club and DJ lighting effects that deliver increasing
Also on show will be LSC's recently released range of installation digital dimmers - EKO. Available
ATTY has two Neutrik combo input jacks (quarter-inch XLRs) for true stereo and two balanced output XLRs. Included is a level control knob and a mute switch for those moments when an immediate response is required. The mute switch operates as a 'panic button' shorting the signal until full control is regained. Owners of powered monitors will find A Designs ATTY an effective tool against possible system failures that may result in expensive, blown speaker diaphragms. It is small and compact measuring 2" x 3" x 5&q
Outline will also show the Micra II SP - an ultra-compact, self-powered loudspeaker enclosure that has achieved a strong reputation for its use in TV studios and on some of Italy's top tours (including Claudio Baglioni). It has a built-in (250W continuous power) digital amplifier and is fitted with two sophisticated 5" woofers and twin Neodymium magnetic circuit.
Also on show, the H.A.R.D. 212 SP is a self-powered version of the ultra-slim (33cm) monitor, used on tour by Eric Clapton, Steve Howe (Yes), Hayley Westenra and by top Italian artists inc
(Lee Baldock)
Firstly the PixelPAR 24ec (enhanced control), a high power projector, utilizing twenty-four 1-3W Luxeon emitters in RGB and amber, thus providing a full spectrum output. The lightsource is the same as the popular PixelPAR 90(A) architectural fitting, and the unit uses the same streamlined mechanical housing. Taking advantage of new 3W blue and green LEDs combined with the 1W red and, for the first time, an amber emitter. The st
Howell commented: "Over the past few years I have looked for a concise reference on the subject of Ethernet. Somewhat to my surprise I was unable to find what I wanted! There are many go
Lightbrush is a modular, colour-mixing system that uses three coloured (red/green/blue), energy-efficient fluorescent tubes to allow the creation of 16.7 million colours. Ideal for providing even washes of light and colour, Lightbrush can be successfully used where the throw available for lighting is less than 500mm.
Available in lengths from 636mm up to 1546mm, they are all housed in lightweight, rugged aluminium cases and designed for indoor or outdoor use. Cube and tower configurations are also available. Lightbrush units are controlled by Lightbrush controller modules, which may be programmed using the Lightbrush hand-held remote unit or controlled via the DMX512 lighting protocol.
Lightb
