Video and AV

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14 March 2016

DB has also made a further investment in Microsoft Surface units, which the company originally introduced to the UK event and exhibition market at the end of 2009. Microsoft Surface is a revolutionary multi-touch system that allows several users to simultaneously touch up to 52 points on the screen. Users can also operate a variety of programmes and features to perform numerous functions at any one time, such as maximising and minimising windows, viewing product data, as well as animation and video content.

The investment in new equipment has come as DB prepares for a busy spring calendar of events. Over the next three months, DB will be supply AV & IT services to 14 events. DB will

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14 March 2016

The Video Wall Controller outputs high definition video up to 1080p full HD from a single PC or video source using DVI connectivity. When combined with computer applications, resolutions are supported up to 1920x1200. One DVI input is split to four DVI outputs connected to four hi-def displays. Video can be spread across all four displays or just three, two or one display, giving users additional control over the creative content.

Pivotal to the Vide

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14 March 2016

The AVnu Alliance is leading efforts to promote and support the creation and implementation of compliance test procedures and processes that provide interoperability of AVB-enabled networked products for the professional A/V, automotive, and consumer electronics markets.

"Since our inception, Audinate has used standards to develop a co

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14 March 2016

Neil Dickinson, managing director of Arcstream AV comments, "The World Cup means that people are looking to create fun promotions that engage clients, as well as the obligatory big screen in the office and pub. We have combined two of our most popular products, the interactive wall and floor to create a 'virtual penalty shoot out'. People are invited to kick the virtual football on the interactive floor, while a goalie projected on the wall dives for the ball."

The technology uses interactive cameras to monitor the accuracy and velocity of the kick and determine the player's skills. Dickinson adds, "This is a fun use of interactive technology and you can

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14 March 2016

Firstly, Tango now works with Desono's DSD/PCM mix engine and Stagebox. Desono products are high quality solutions for audio acquisition and production in the live, recording and broadcast markets, and when combined with a Tango or a Pro Series Smart Console it provides a unique and powerful combination.

Following enquiries from users wanting to use a Stagebox in conjunction with their DAW and Tango, development was initiated and has resulted in a particularly powerful solution. The unit can convert microphone signals into PCM or D

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14 March 2016

According to PSCo, Infinite Plasma is a bezel-less plasma screen which offers the smallest seam gap of any plasma or LCD videowall technology available on the market, at less than 3.5mm in multi-formations. The new OPM-4250 is the fifth generation and boasts improved colour reproduction, increased digital input compatibility and the ability to address a wall of up to 100 screens without external processing.

Technical manager at PSCo, Ed Martin explained: "The OPM-4250 is fractionally slimmer than its predecessors and almost 3kg lighter. Practically every aspect of the Infinite Plasma has undergone some kind of improvement. There ar

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14 March 2016

Six acts competed for the honour of representing the UK at this year's Eurovision Song Contest in Oslo in May, singing a song written by Pete Waterman.

Your Country Needs You featured a stunning set with a backdrop of 72 linear metres of Hawthorn's LED video cloth, 4m high. The programming was supplied by the show's production team and Hawthorn's engineers operated the Media Surge.

Alex Craig, commented, "I was delighted to find an LED cloth product that gave me the large scale coverage that I needed at a price I could afford, and with a soft pixillation that looked fabulous on close up shots."

(Jim Evans)

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14 March 2016

Anders L°kke, international marketing & communications manager at projectiondesign comments, "We're very excited about the F82 and its potential. All the functions and advanced features required to power today's most challenging and sophisticated projection systems are to be found in the latest addition to the projectiondesign professional series."

Producing images at 10,000 lumens brightness strengthens the F82's presence and accessibility to a growing number of large venue applications including rental and staging.

Available with native 1080p and WUXGA resolutions, and compatible with a range of signal formats, makes the F82 series suitable for reproduction of high definition video or data-centric applications.

Building on the company's own three-chip DLP design, the F

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14 March 2016

In addition to hosting thousands of NBA and NHL fans, the American Airlines Centre also features numerous concerts and live entertainment throughout the year. Opened nearly 10 years ago and seating up to 20,000, the installation of 25 Lighthouse LED video screens is part of a large-scale technological renovation project at the arena. This includes the first 1080x1920 high-definition video screen in any NBA or NHL facility. Overall, the new digital screens will increase video visibility throughout the facility, providing spect

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14 March 2016

Founded with the support of international lamp distributor Just Lamps, the GLA campaigns to bring the issue of counterfeit, or 'copy lamps', to the attention of the distribution channel, consumers, institutional and business buyers. Copy lamps often infringe intellectual property rights, offer inferior performance and, in some instances, cause equipment damage or even physical injury.

Members of the GLA are committed to selling only genuine projector lamps. Genuine lamps comply with intellectual property rights, guarantee the user a specified level of performance and are tested to ensure that health and safety standards are met.

The copy lamp problem is increasing i

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14 March 2016

Directed by Tony Award winner Michael Mayer and featuring music by multi-Grammy Award winning punk trio Green Day, the new rock tuner takes the St. James Theatre beginning 24 March, 2010. Opening night is set for 20 April.

American Idiot follows the journey of a new generation of young Americans as they struggle to find meaning in a post 9/11 world, lived through Green Day's score. The musical includes every song from the album American Idiot as well as several songs from the band's 21st Century Breakdown.

Mayer leads a creative team that includes scenic design by Tony nominee Christine Jones, video and projection design by Darrel Maloney and lighting design by Kevin Adams.

The set is fed by 15 Hippotizer HD V3

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14 March 2016

D.J.Willrich (DJW) was subcontracted by the lead contractor Beck Interior, to provide a full Medialon integrated system in Centre of the Cell. DJW also worked closely with the project designer, Land Design Studio.

In Centre of the Cell, visitors are immersed in a full audiovisual experience throughout five different 'spaces', or scenes. Being the main A/V show and media controller of the installation, Medialon is in charge of the set up of each of these scenes along with their timings. The Medialon system remotely controls the power up and down of all the A/V devices installed in t

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14 March 2016

E/T/C Paris will continue being involved in major international projects, headed up by the same teams that have worked on high-profile shows around the world for many years. The two companies look forward to a continuing collaboration on selected projects in the UK.

(Jim Evans)

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14 March 2016

From the audio world, exhibitors include Allen & Heath, showcasing new products including the iDR-16 3U MixRack and iLive-R72, iLive software v1.6, Xone:PB, Xone:XD40 headphones and ZED-10 and ZED-10FX mini mixers; Ateis International with its new ECS-Teleconference unit echo cancellation system; Cloud Electronics' new MA60MEDIA combined mixer/amplifier/digital music player; Duran Audio's AXY

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14 March 2016

Stuart Holmes, managing director of PSCo comments: "Moving to the new HQ is an absolute must for PSCo. Our portfolio of products has increased in scope and volume significantly in the past three years and we have developed our technical and support services to ensure these new technologies are accessible for our partners.

"Our rental fleet has grown continuously with the recent addition of projectors and the larger warehouse facility will allow us to dedicate more time and specialist resources to maintaining the rental products.

"Looking at our rental clients needs, we will be able to offer a more flexible and efficient service.

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14 March 2016

The new Nano range is the culmination of a year's research and development by RTI and brings a range of OPS, full colour, laser systems ranging from 10 Watts to 42 Watts; the flagship model being the Nano Rainbow - the first and only OPS laser on the market with six individual wavelengths. The lasers are all assembled in RTI's factory in Germany with the majority of parts and electronics being manufactured onsite.

Ray Laser Technologies managing director, Karl Kaes explains, "We are using the smallest laser diode drivers available for high power laser diodes, this means easier handling due to smaller size and weight, higher efficiency and lowest heat dissipation. Service friendly module technology and easy replacement of each colour gives the opportunity to

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14 March 2016

Hawthorn's MD, Martin Hawthorn, will also be at the show and commented, "Last year's show was well organised and extremely well attended, a credit to PLASA, so much so that we re-booked our stand on site. It's ideally placed for us with our Midlands based head office and we got some good leads. This year we're showcasing Media Surge, our new LED video cloth, which has proved a big hit with both the corporate and the film & TV markets, as well as our dry hire customers."

(Jim Evans)

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14 March 2016

Based on Adobe Flash technology, Watchout Systems Manager allows users to create interactive front ends for their Watchout-driven systems and presentations. It includes two ready-to-run applications for remote control and scheduling of shows, and also features an Application Programming Interface (API) and a Communications Library so that users can create their own applications.

Michael Engström, director of sales at Dataton, comments, "Remote control and scheduling are invaluable aids in larger, more complex multimedia installations. The remote-control application within Wat

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14 March 2016

XL account handler Chris Saunders has worked with the band since they first started using video, circa 1998. At that time they were still playing relatively small venues and their use of video was considered groundbreaking. He also produced their longform Day At The Races video, and has been involved with all their tours and live work ever since. Throughout, he has seen the application of video in the band's show visuals grow in ambition and innovation parallel with the development and availability of the relevant technology.

The 'Phonics live video visuals have invariably been a lighting design driven element - and Saunders has seen several L

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14 March 2016

Roving TiMax Tracker tags are distributed in toys to children by spotters in the audience, to control tracking cameras which feed images of the childrens' faces to Pandora's Box where they are rendered for projection onto the heads of the dancing Tweenies. The radio mic'd talent are also tracked so their voices can be followed by the demanding and discerning audience.

XL Group director Rich Rowley takes

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14 March 2016

One Medialon Manager V5 Pro license is used as the main A/V and building management control system of Alexandra Park. The installation has been designed to control all the building's audio visual play out across the race course.

Six projectors and 12 50" plasma screens located around the bar and other corporate entertainment areas are fed a combination of media by the Medialon control system. Live feeds from the race course internal TV channel together with music, video and advertising material are routed to the various screens.

The Medialon c

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14 March 2016

This show was designed by lighting design student Simon Gray a level three student at Rose Bruford College, as his final year project.

"I wanted to take on the challenge of transforming a truly iconic building, and make people take a second look at a familiar landmark," says Gray. "Big Ben is one of the world's most famous images, and to many it represents London. It was a natural choice to do this for Sport Relief, and I was delighted to be helping to raise awareness of this fantastic fundraising campaign."

Gray and his team of students from the Lighting Design and Lighting Programming courses at the College required special permission for the eve

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14 March 2016

The Bridge Live Communications, a UAE-based experiential marketing company, contracted by IRENA, called upon Creative Technology Dubai to provide video equipment for the commission meetings held in the Emirates Palace Hotel Ballroom - one of several venues chosen to hold the numerous events and meetings.

CT Dubai provided two pairs of Christie HD18K DLP projectors used to front-project onto two 6m wide screens placed at either side of the main stage. Three Sony DXC D50 cameras, all with long lenses, were positioned out fro

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14 March 2016

Chaos is providing an LED system, which consists of 390 tiles of Winvision 18.75mm. There are nine different LED screens, flown by cable winches on nine lighting headers, under three lighting trusses. The screens begin the show on the stage deck and are used to reveal her, her band and then her set.

Content comes from four Pandora's boxes. The content and Imag are managed by a Vista Spyder and are triggered by a Grand MA console. There are two 12k Barco projectors for the two side screens, three HD cameras and two ro